The sax with the Mona Lisa smile

Mette Henriette Martedatter Rølvåg was sitting in a concert in Oslo. Next to her, Manfred Eicher, founder of the German record Label ECM. They started chatting. Next thing on the timeline is Mette Henriette debuting with a double-CD album under ECM’s wing.

 The Norwegian saxophonist’s career has escalated quickly, and her debut album as a leader saxophonist sounds like nothing else around it. Elegant and soft, powerful within its delicacy, it shouts directly to the bowels and she succeeds in creating a personality that is reaffirmed by her live performances. During the third day of this years edition of the Jazzfest Berlin, Henriette shares stage with a whole new formation, presented in world premiere: Henrik Nørstebø on trombone, Lavik Larsen on trumpet, Johan Lindvall on piano, Andreas Rokseth on bandoneón, Odd Hannsidal and Karin Hellqvist on violins, Bendik Foss on viola, Gregor Riddell on cello, Per Zanussi on double bass and saw and Dag Erik Knedal Andersen on drums. On Thursday the 3rd of November, at 8pm, after Julia Hülsmann’s Quartet, the light changes.

 

Ignitable, robust, powerful, raw, harsh, stripped, fresh, pointy, strong, hefty, delicate, intimate, talkative, legendary, magical, epic, ancestral, traditional, glacial, soft, meditative, controlled, curious, focused, carrying, invisible.

Invisible.

Yet it travels on the skin.

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